It’s important to know all the different “aliases” or nicknames that are used to refer to the same scale so that you’ll know which scales other jazz musicians are talking about. There is a lot of confusion over what to call the various modes derived from melodic minor, so I’ll give you multiple names for each scale. You can create modes based on this scale by playing the same melodic minor scale but starting on a different scale degree, just like you can with the major scale. Basically, a melodic minor scale is identical to a major scale except the third scale degree is lowered one half-step. To review, in the jazz context, a melodic minor scale is just the ascending version of the “classical” melodic minor scale. In this post, I’m going to make sure we have a firm grasp of the melodic minor scale and its modes and then we can look at examples of how melodic minor can be used in jazz improvisation. Most musicians playing contemporary styles would practice it in the jazz way, which is the same up and down.In addition to learning the major scale in all 12 keys and the 7 diatonic or “church” modes derived from the major scale, the melodic minor scale is one of the most important and useful scales for jazz improvisers to master. In other words, it was only melodic minor on the way up, and reverted to regular minor on the way down. Traditionally the melodic minor was formed as a major scale with a flat 3 ascending, and a pure or natural minor descending. While the melodic minor is a very old scale, the scales here fall under the category sometimes known as the “Jazz melodic minor”, which is slightly different. For instance, D Dorian b9 would be the same as the second mode of the C Melodic Minor scale. But remember the patterns are all derived from the first one. Here, all of the modes of the melodic minor scale are presented as they would be if beginning from C. But that's okay, sometimes it just takes a long time. It may take a long time to apply these to your playing. So learn all of the fingering patterns, and practice them all from the root of C, and also as a group of modes relative to each other. These scales can give you some new sounds that you've never encountered before. We're going to play all of these modes with a root of C, but it's a great idea to practice them as modes of each other for instance, F melodic minor, G Dorian flat nine, and the like. We're going to talk about the melodic minor and its various modes.
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